Replies to This Discussion

Permalink Reply by Eric Keith Longo on December 19, 2021 at 12:05pm

Yes, my first sentence - "FOR ME..."

Is there an upside to a possible copy print signed boldly by Joan Fontain in black felt tip with blast contrast and an rather meek Olivier accomplished with 2 different ballpoint pens? When the goal is a really quality Olivier example? I'd love to hear it.

Permalink Reply by Eric Keith Longo on December 19, 2021 at 12:11pm

This is a waste of my time. Dan - if you have any questions or need help etc. just PM me.

Permalink Reply by Eddy on December 19, 2021 at 12:16pm

I personally like it.  No need to justify that.  Nobody is the same. If we were, the world would be bloody boring.

Permalink Reply by Eric Keith Longo on December 19, 2021 at 12:33pm

It can never be considered "A" Material. Not with 2 inks and a meager scratchy signature overshadowed by Fontaine's contrast. and with 1 sig on the image and the other in the margin.

Dan was interested in quality vintage material. This Fontaine is not it IMO...not the magical confluence of authenticy, condition, quality original double weight stamped portrait, key photo or true candid exhibiting a clean, well contrasted and well placed vintage sig in fountain pen.

Permalink Reply by Eric Keith Longo on December 19, 2021 at 12:14pm

Hopefully properly discounted.

Permalink Reply by Eric Keith Longo on December 19, 2021 at 2:03pm

Further, if you tilt your screen back you'll see a funny pinkish pixelation around the Olivier sig on the Fontaine item and all about in the white margin only. Hmm.

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