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It could be genuine, but i wouldn't authenticate it as being genuine. It's a squiggle ;-)
You can't call it an investment piece.
There is enough there to work with but I would not collect it or recommend it.
As I suspected - Andy agrees it could well be genuine. He says he has seen far worse IP rushed Bowie's.
Question is: who would buy it?
It has no value in my mind. It only has value to the original owner.
If you think it's genuine, how sure. 50%?
No-one should issue a COA for a squiggle.
I do not believe in percentages. It is yes or no to me. It is authentic in my opinion but certainly not desirable. I'd never sell it or recommend it. If I got it myself I imagine it would be a little different, as you said.
I don't have squiggles in my collection, but i have some you might term atypical, but they have something to play with. It would be interesting to see other people's squiggles or in-person rushed.
The racer? Very cool. Here is one of my favorites, 1949 London production of Streetcar, photo by Angus McBean:
Can you give a link?
This may be one of my best for early Hollywood:
8x10 sepia toned silver bromide(?) double-weight matte finish personal portrait by Apeda Studios, NY, of Bela Lugosi 1928 (in between the stage play Dracula and the film). Inscribed "To Carmine" and inscribed/signed boldly in black fountain pen "sincerely Bela Lugosi". VF+ Condition with no major flaws. From Tom Kramer of Goldenageautographs.com
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